Dayanita Singh uses photography to reflect and expand on the ways in which we relate to images. Her recent works, drawn from her extensive photographic oeuvre, are a series of mobile museums that allow her images to be edited, sequenced, archived and displayed. Stemming from her interest in the archive, the museums present her photographs as interconnected bodies of work that are replete with both poetic and narrative possibilities. Recently, the museums have evolved into the singular pillar form consisting of five cubes that can pack flat accompanied by a stool. She has continued to reconceptualise architecture in a new series of Montages, which seamlessly splice together images from diverse spaces to create phantastic yet plausible settings. Publishing is also a significant part of the artist’s practice: in her books, often published without text, she extends her experiments on alternate forms of producing and viewing photographs. She says, ‘the book is at the heart of my work. To me, the exhibition is the catalogue of the works in the book’.
